Lydia Woods
Appearance
| Gender | Female |
| Pronouns | |
| Height | 5' 3'' |
| Body Type | Petite |
| Weight | 120 |
| Hair color | Blond |
| Hair length | Long |
| Eyes | Blue |
| Age range | 15-19, 20-24 |
| Ethnic appearance | Caucasian |
| Trained Singing Voice | Yes |
Film | ||
| RELATIONSHIPS: UNTITLED | LEAD | YALE/ dir. Reid Wittman |
| DINNER DATE | LEAD | ART INSTITUTE NYC/ dir. Anthony Miller |
| SPEECH ACT | LEAD | NYU TISCH/ dir. Emmeline Wilks-Dupoise |
| THREE HOUSES | SUPPORTING | dir. Miles Maker |
| EVIL THINGS | SUPPORTING | dir. Dominic Perez |
| HELL FIRE | PLAYER | dir. Mark Fratto |
Television | ||
| CELEBRITY GHOST STORIES | SUPPORTING | THE BIO CHANNEL |
Theater | ||
| REGIONAL TOUR: ENCORE | LEAD | CHAMBER THEATRE PRODUCTIONS |
| AS YOU LIKE IT | PHOEBE | OXFORD SHAKESPEARE COMPANY |
| HAMLET | GERTRUDE | dir. Louis Scheeder |
| THE TEMPEST | ARIEL | PLAYWRIGHTS HORIZONS NYU |
| NYU REALITY SHOW | ACTOR/WRITER | dir. Liz Swados |
| MANSON HOUSE | EVE-SUPPORTING LEAD) | EXPERIMENTAL THEATRE WING NYU |
| THE IMPORTANCE OF BEING EARNEST | CECILY CARDEW | GREENSBURG CIVIC THEATRE |
| THE MUSICAL COMEDY MURDERS OF 1940 | NIKKI CRANDALL | GREENSBURG CIVIC THEATRE |
| THE IMAGINARY INVALID | ANGELICA | GREENSBURG CIVIC THEATRE |
| SWEENEY TODD | MRS. LOVETT | dir. Tony Marino |
| LES MISERABLE | MADAME THENARDIER | dir. Tony Marino |
| WEST SIDE STORY | ANYBODIES | dir. Tony Marino |
| THE CHILDREN'S HOUR | PEGGY | APAC/ dir. Jessi Hill |
| PERICLES | BAWD; LYCHORIDA | dir. John Farmanesh-Bocca |
| THE LANGUAGE OF ANGELS | ALLISON | PLAYWRIGHTS HORIZONS NYU/ dir. Sydney Gallas |
| SWEET LAND OF FIRE | SUZY | LA MAMA ETC/ dir. George Ferencz |
| 8 MIN MADNESS: THIS SIDE UP | CINDI | TURTLESHELL PROD./ dir. Elfin Vogel |
| BULLYING ON THE DOCKET | VARIOUS | THEATRE REHABILITATION YOUTH/ dir. Ken Berman |
| REVENGE OF THE NERD | ROSIE/MARY; SARAH/JANE | PRIDE NOT PREJUDICE/ dir. Rick Mueller |
| THE LIVING GODDESS | FORMER GODDESS/ WAITRESS | dir. Jessica Hecht & Jo Bonney |
| BOY | LABIA | dir. Jessica Hecth & Annie Kaufman |
Commercials | ||
| AVAILABLE UPON REQUEST | ||
Internet | ||
| THE MORNING BITCH | GUEST | Prod. Reel Spiel |
Training | ||
| ACTING | LEE STRASBERG- NYU | Geoffrey Horne; Lola Cohen; Ted Zurkowski; Hope Arthur |
| ACTING | THE CLASSICAL STUDIO- NYU | Louis Scheeder; Daniel Spector; Darci Picoult |
| ACTING | Stonestreet Studios- NYU | Gary Bennett; Jenn McCabe |
| DANCE | NYU | Jeffrey Ferguson; Deborah Damast; Carolyn Webb; Charmaine Warren; Madeline Jaye; Michael Ryan |
| VOICE | NYU; OTHER | Jack Lee; Jack Eppler; Jan Douglas; Scott Flaherty; Katerina Musetti; Sean Kelly; Betsy Lawrence |
| SPEECH/ ACCENTS & DIALECTS | Donna Germain; Kohli Calhoun; Ben Strevens; John Van Wyden | |
| IMPROVISATION | Lulu French; Tyler Sternberg | |
| AUDITION | Lorca Peress; Zach Galligan | |
| SOAP OPERA | Linda and David Laundra | |
| ALEXANDER TECHNIQUE | Greg Seel; Karen Braga | |
| VOICE OVER | Karen Braga | |
| COMMEDIA DELL'ARTE | FLORENCE | Jim Calder; Enrico Bonavera |
| WORKSHOPS | Patrick Stewart; John Barton; Brian Stirner | |
Skills | ||
| Poker; Funny Voices and Characters; Puppetry; Sketch Comedy: Writer/Performer; Dolphin Impression; Choreography and Dance Teacher; Piano Player; Composer; Lyricist; Basic Guitar Chords; All girl band; Accents & Dialects: British, Cockney, Southern, Irish, |