Rafael Jordan
Appearance
| Gender | Male |
| Pronouns | |
| Height | 5' 11'' |
| Body Type | Athletic |
| Weight | 180 |
| Hair color | Black |
| Hair length | Short |
| Eyes | Brown |
| Age range | 30-34, 35-39 |
| Ethnic appearance | African-American, Latino |
| Unions | SAG, AFTRA, EQUITY |
| Representation |
Professional Artists (212) 247-8770 agents@professionalartists.net mscottmurphy@professionalartists.net jbowdan@professionalartists.net |
About Me
Grew up between Massachusetts and Brooklyn. Afro Latino, Mother's parents from Panama. Top theatre and film training paired with instinct and passion for social progress.
My Website http://www.RafaelJordan.com
Acting Reel
Television | ||
| Law & Order SVU | Guest Star | Dir. Timothy Busfield |
| FBI: Most Wanted | Guest Star | Dir. Ken Girotti |
| Godfather of Harlem | Co-star | Dir. Guillermo Navarro / ABC Studios |
| Blue Bloods | Co-star | Dir. Jackeline Tejada |
| City on a Hill | Co-star | Dir. Clark Johnson / Showtime Pictures |
| One Life to Live | Recurring Co-star | Various Dir. / ABC Studios |
Film | ||
| The Nurse (feature) | Lead | Dir Mary Carl / Film Humans |
| Me, You, and the Road (feature) | Lead | Dir. Josh Miller / C&I Productions |
| Christmas Eve (short) | Lead | Dir. Josh Miller / C&I Productions |
| The Man Who Feared | Lead | Dir. Jehnova Carlisle / Invaluable Mind Productions |
| Othello the Web Series | Othello | Dir. John Hurley / ReadySetGo Theatre |
Theater | ||
| King Lear (w/ Joe Morton) | Edmund | Dir. John Gould Rubin / Wallis Annenberg Beverly Hills |
| Paradise Blue | Blue | Dir. Kent Gash / City Theatre Pittsburgh |
| Detroit '67 | Lank | Dir. Darryl V. Jones / Aurora Theatre Co. |
| King Charles III (w/ Robert Joy) | Spencer, Paul | Dir. David Muse / Shakespeare Theatre of DC |
| The Glass Menagerie | Jim O'Connor | Dir. Lisa Portes / California Shakespeare Theare |
| American Buffalo | Bobby | Dir. Barbara Damashek / Aurora Theatre Co. |
| runboyrun (by Mfoniso Udofia, world premiere) | Ben Gun | Dir. Sean San Jose / Magic Theatre |
| 365 Days/365 Plays | Smith, Herald | Dir. Sean Daniels / Actors Theatre of Louisville |
| ___________________________ | ___________________________ | ____________________________ |
| NEW YORK | THEATRE | |
| BrandoCapote | Marlon Brando | Dir. Reid Farrington / Foxy Films, The Tank NYC |
| Macbeth | Macduff | Dir. Ashley Burroughs / Brooklyn Theatre Workshop |
| Caesar and Cleopatra (Eric Overmyer adaptation, off-broadway) | Apollodorus | Dir. Kent Paul / Resonance Ensemble |
| Uncle Tom's Cabin | George/Gumption | Dir. Alex Roe / Metropolitan Playhouse |
| The Cherry Orchard | Petya Trofimov | Dir. Kerry Watterson / New Perspectives Theatre Co. |
| Thunder Above, Deeps Below (by A. Rey Pamatmat, world premiere) | Locke/Prince | Dir. Pat Diamond / The Barrow Group Arts Center |
| I Feel Your Pain (w/ Kathryn Grody) | Alan | Dir. Liz Laser / Performa 11 Commission |
Training | ||
| Master of Fine Art, Acting | American Conservatory Theatre | Melissa Smith, Stephen Buescher, Jeff Crocket |
| Acting Apprentice Company | Actors Theatre of Louisville | Dir. Will MacAdams |
| The Barrow Group School - year long program | The Barrow Group | Seth Barrish & Lee Brock |
| Bachelor's Degree of Independent Concentration: | Theatre and Film; Acting & Directing, Photo Minor | Univ. Massachusetts, Amherst |
| Speaking Shakespeare & Jacobean Texts | Theatre for a New Audience Intensive | Robert Neff Williams |
| Rhetoric, Suzuki | Milan Dragicevich | |
| Viewpoints, Acting for Camera | Tanya Kane-Parry | |
| Antonin Artaud Workshop & Festivall | Studio 5 at Bali, Indonesia | Per Brahe |
Skills | ||
| Trumpet, Turntable DJ, Stage Combat: unarmed/rapier/dagger, Comedia, Balinese Dance, Mask Work, Singing, Some Tap Dance, Juggling, Brazilian Jiu-Jitsu, Photography, Football, Collegiate Track and Field. ACCENTS: West Indian, Nigerian, South African, Brit |