Charlotte Vaughn Raines
Appearance
| Gender | Female |
| Pronouns | |
| Height | 5' 7'' |
| Body Type | Thin |
| Weight | 130 |
| Hair color | Black |
| Hair length | Shoulder Length |
| Eyes | Hazel |
| Age range | 25-29, 30-34 |
| Ethnic appearance | Caucasian |
| Trained Singing Voice | Yes |
| Unions | SAG, AFTRA, EQUITY |
| Representation |
Kathy Olsen
Encompass Arts 646 552 3959 Kathy@encompassarts.com |
About Me
Charlotte is a NYC native with straight theater, musical theater, and classical training experience. An energetic personality with a dark edge underneath, she has a unique way of viewing the world
Youtube Channel https://www.youtube.com/user/HazelxFaerie
More
Acting Reel
Theater | ||
| Are You Alice | Alice 8 | Edinburgh Fringe Festival (dir. Christina Ashby) |
| No Mercy, A Wrestling Play | Nat Johnson | DR2 Theater (dir. Miranda Cornell, SMJ, Alex Might) |
| Your Faithful Reader | Smart Home/Dancer | Teatro Latea (dir. Miriam Wasmund) |
| The Seagull | Paulina | Schapiro Theater (dir. Jacob Sexton) |
| suicide.chat.room | Nightshade/Lily the Grocer | Taffety Punk (dir. Marcus Kyd) |
| As You Like It | Phebe | Shakespeare Theatre Academy (dir. Aaron Posner) |
| Macbeth | Banquo/Second Witch/Ross | Shakespeare Theatre Academy (dir. Craig Baldwin) |
| The Two Gentlemen of Verona | Lucetta/Thurio | Shakespeare Theatre Academy(dir. Dan Crane) |
| Othello | Desdemona | Gene Frankel Theater (dir. Perri Yaniv) |
| Marie Antoinette | Marie Antoinette | Horace Mann Theater (dir. Phoebe Brooks) |
| The Importance of Being Earnest | Gwendolyn | The Council House (dir. Jane Seaman) |
| The Proposal | Natalya Stepanova | The Council House (dir. Jane Seaman) |
| Life is a Dream | Rosaura | EagerRisk Theater (dir. Christina Ashby) |
| Guys and Dolls | Adelaide | Tibbits Opera House (dir. Trinity Bird) |
| A Chorus Line | Sheila | Tibbits Opera House (dir. Kevin Halpin) |
| A Christmas Story the Musical | Lead female Elf/Can Can girl | John W Engeman Theater (dir. Richard T. Dolce) |
| Sweet Charity | YMCA Girl/Rosie/Woman with Hat | Cape Playhouse (dir. Mark Martino) |
| Les Miserables | Locket Crone | Mainestate Music Theatre (dir. Charles Abbott) |
Film | ||
| Joy | Joy | Columbia Grad Student Film |
| Blue Hour | Sophie (Lead) | NYU Grad student film |
| John | Emily (Lead) | N the Can Productions (dir. Jay Canon) |
Internet | ||
| Crimes of The Heart | Meg | Arc Stages (Dir. Ann Shankman) |
| As You Like It | Celia | Arc Stages (Dir. Jeff Raab) |
| Two Noble Kinsmen | Pirithous | The Show Must Go Online (Dir. Rob Myles) |
| Timon of Athens | Flaminous | The Show Must Go Online (dir. Matt Rhodes) |
| How to Receive Affordable Healthcare | Cat | We The Internet |
| Dating and Auditioning | Suzie | Garden of Eden productions (dir. Emma Donson) |
Training | ||
| MFA Classical Acting | Shakespeare Theatre Academy at George Washington University | Alec Wild, Ed Gero, Lisa Beley, Floyd King, Roberta Steim |
| 1st and 2nd year acting | William Esper Acting Studio | Terry Knickerbocker/David Newar |
| Ballet | Steps on Broadway, School at Steps, University of Michigan | Lonne Morretton, Amanda Turner, Leslie Brown |
| Tap | Steps on Broadway | Andrew Black |
| Musical Theater | Steps on Broadway, Broadway Dance Center, School at Steps, University of Michigan | Diane Laurenson, Linda Goodrich, Mark Madama, Alison Kolinski |
| Stage Combat | Shakespeare Theatre Academy,, Ring of Steel, University of Michigan | Robb Hunter, Christopher Barbeau, Erik Frederickson |
| Voice (singing) | private | Matthew Anchel, Ron Raines |
Skills | ||
| Dialects: RP British, Plantation Southern, Texan, New York, Irish. Certified by the SAFD 2022: Recommended pass in Broadsword and rapier/dagger, basic pass in unarmed. Piano, social dancing, conversational Japanese, basic pro wrestling, pole dancing |